Worth more than a million dollars, the Paspaley Pearl is considered the most beautiful in the world. That's why I braved seaplanes, boats and crocodiles to reach one of the most remote places on earth in search of the most perfect gem nature can offer
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| The jetty at remote Kuri Bay where Snappy the crocodile liked to sunbathe |
Glancing down, I smiled. In my hand, I was holding a million dollars. But it wasn’t a fistful of used, crumpled or torn notes. Instead, glistening against my skin, the light bouncing off its pink lustre, sat a rare white, perfectly round, unusually large gem. The Paspaley Pearl.
Considered so beautiful, the ‘Pearl of Pearls’ is usually only glimpsed in public displays alongside other rare gems, La Peragrina, the 500-year-old pearl famously given to Elizabeth Taylor by husband Richard Burton, and the Hope Diamond, or closely guarded by security men working for the Paspaley family during their private exhibitions.
Yet here I was, rolling it around between my fingers bouncing it up and down as strands of exquisite pearls were placed around my neck. Welcome to Darwin, Australia, home to the biggest and one of the most famous pearling companies in the world. “Do you like it?” Geraldine Atkins, manager of Darwin’s Paspaley Pearls store, asked, straightening a long opera strand of white pearls worth A$70,000.
In the mirror, the graduated, impeccably strung strand, which hung almost to my waist, looked amazing. But its beauty paled compared in comparison to the natural, unset Paspaley Pearl, which was harvested in 2003 from the company’s farm on the Kimberley Coast in the northern most region of Western Australia.
Plucked from a Pinctada Maxima pearl oyster in the South Sea, it has since been kept in the Paspaley family’s private collection, presumably in the hope that it will one day be joined by an equally perfect companion.
Sadly, so far they haven’t yet managed to discover another rare beauty, but it’s not for lack of trying. Paspaley prides itself on producing the most beautiful pearls in the world – and now I was joining them on the ultimate adventure to search for the perfect gem during the pearl harvest.
So handing back the Paspaley Pearl, I steeled myself for my next stop: Kuri Bay, one of the most remote and unexplored destinations on earth. A birthing ground for migrating humpback whales in August and September, it’s the historical site of Australia’s first cultured South Sea pearl farm.
Originally farmed by Japanese pearlers – Kuri Bay was named for Tokuichi Kuribayashi of the Nippo Pearl company in 1956 - it was eventually taken over by the Paspaleys, or Paspalis as they were named when they first came to Western Australia. Fleeing Castellorizo, a Greek island, during the First World War, Theodosis Paspalis settled there with his family, living alongside Aboriginal inhabitants and Asian pearl fisherman.
His son, Nicholas Senior, learnt the pearling trade, diving for mother of pearl shells to be used making buttons and changed his name to Paspaley.
Forever searching for the perfect place to grow pearls, he ended up in Kuri Bay, trying to better the Japanese’s mixed luck and pioneered new methods and conditions for the delicate pearl oysters. His son, also called Nicholas, mortgaged his father’s house in 1973, and bought a modern boat to run the operations, after being told by him to make the farm profitable or shut it down.The rest, as they say is history. With 20 farms and a 75-year-old history of producing the best pearls – the company is so fussy it only keeps 1 per cent of the pearls to use in its jewellery collections – Nicholas’s son James is now executive director.
Kuri Bay was still a working pearl farm until December 2011, but the Paspaleys now use it for VIP clients and a luxury retreat for paying guests who want to get away from it all. There’s no phone, no TV, no wi-fi, and no roads in or out.
Rugged, remote and rumoured to be life-changingly beautiful, Kuri Bay is only accessible by sea or Grumman Mallard seaplane.
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| Our Mallard seaplane once belonged to Christian Dior |
I almost didn’t go. Terrified of travelling in anything that doesn’t have business class, lounge access and a runway, I didn’t think I’d be able to stop hyperventilating or crying for long enough to actually step inside the impossibly tiny-looking plane’s doorway. ‘I’ve seen Flying Doctors on TV,’ I told myself, trying to find some courage. ‘Landing in water in the middle of nowhere is normal out here.’
But then I heard the farm has pythons, box jellyfish with four-metre tentacles, and a resident crocodile, Snappy, who likes to sun himself on the jetty – the only way onto Kuri Bay.
“Snappy’s only two metres big,” Richard McLean, Paspaley’s senior pearling advisor, and our guide, smiled. “And he’s never eaten any of our guests yet.”
Still, that crocodile was bigger than me, but Richard insisted I’d be safe. “There will be three men with you at all times,” he promised and I agreed to go. Besides, the amphibious plane we’d be travelling to Kimberly in, which was built in the 1940s for use during the Second World War, had once belonged to Christian Dior to travel along the French Riviera.
How could I resist such glamour and history? So taking more than a dozen, deep breaths, I clambered inside, and made myself think of pearls as we took off.
Two hours later, after soaring over ochre cliffs and coral reefs, we eventually started our descent. Of course, we weren’t going to be landing on tarmac, and so I surreptitiously got into the brace position as the Mallard splashed down at Vansittart Bay, one of Australia’s largest pearl farms, up the coast from Kuri Bay. Needless to say, it was the smoothest touch down I’ve ever known and the water rushing up to the windows was really exciting, not scary at all.
All the pearling work is done here by a fleet of state-of-the art boats and dedicated crew. I was eager to see what happens, but apprehensive as we were ferried from the Mallard across shark and crocodile-infested waters to the Paspaley 4. I imagined the boat would be filthy with foul-smelling debris from the sea scattered across the decks. Instead it was spotless and more akin to a luxury yacht than a working vessel.
Richard explained how the oysters benefit from the pristine water here, and are left for up to six years to produce their best pearl.
Below deck, it was fascinating to watch the Japanese technicians – including the one who’d harvested the Paspaley Pearl – ‘seed’ the oyster so that nacre, the mother of pearl composite material, which makes up the inner shell and the outer, iridescent coating of the pearls, forms around it, secreting six to eight layers a day.
Standing behind these experts, I watched as they checked the mature oysters for pearls, popping them out like shelling peas. “That’s a good one,” my technician said, handing me a round, pink pearl. In the Sydney and Darwin stores I’d visited, I’d oohed over such gems, but here I was speechless – this was nature at its finest, yielding something so beautiful I could only stare in awe.
‘Nature never makes mistakes’
My lessons in pearl appreciation meant I could assess the five virtues of each gem harvested – the lustre, complexion, shape, size, and colour. The more iridescent the pearl, the more it shines. For the perfect pearl, it needs to be blemish free, with no marks or dents, and, of course, the bigger the better.
Shape and colour, I realised were purely personal. I saw nature creating round (considered the most desirable), oval, tear drop (the rarest), triangle, button, baroque, ringed or circle and keishi (the natural ‘gift of gods’ – tiny, misshapen, uncultured, accidental gems ) pearls of white, cream, silver, pink and champagne. The majority of pearls in the world are 7mm in diameter – Paspaley’s are 15mm and over. They were all beautiful. “Nature never makes mistakes,” Sydney’s Sales Associate Ian Foxton had told us back in the showroom. “Your perfect pearl will find you.”
He was right. As others went for the pink, round pearls, I gravitated towards the misshapen, intriguing baroque pearls in silver. “They’re for connoisseur of pearls,” Ian said, and now I knew why. Each one was unique, a piece of art made out of nacre that when strung together made a modern, statement strand.
My technician loved them too, and told me about all the largest, most perfect pearls he’d ever found. Oysters that produced small, inferior pearls were rejected, and sent for their flesh and shells to be sold. Only the ones which created the most gorgeous gems were re-seeded and put back in the South Seas to create another beauty for a second and maximum third time.
The rest of the operation was all about keeping them happy – cleaning the oysters regularly so that every bit of ‘goodness’ goes into the pearl, and making sure they were infection free and living in optimum conditions. Placed in water, the harvested pearls were later put in the safe, but were brought out in the captain’s quarters for us to inspect.
The best of the best
There were huge plastic tanks of them – they looked like pretty marbles. Every shape and colour, they were just as nature made them – stunning and untouched. Paspaley pearls are simply washed to get the sand off, and that’s that. They’re not polished or coloured, and only the best are kept by the company – the majority are auctioned off.
“We have to be fussy,” Richard explained. “We use only the best of the best. We have a reputation to keep.”
Just as he spoke, someone accidentally tipped over one of the containers and hundreds of pearls scattered all over the floor. Grateful my clumsiness wasn’t responsible, we helped pick them up and went for lunch. I didn’t know if it was the sea air, the adrenaline from flying in the Mallard or being surrounded by pearls all day, but I was ravenous. I ignored the pearl meat on offer – delicious apparently – and tucked into freshly-made pizza and salad.
Then, bellies full, it was off to another boat, the support vessel, the Roslynne to see more of the top-secret operations – cleaning and caring for the oysters in the sea – before it was back to the Mallard, and off to Kuri Bay for a meet and greet with Snappy. Luckily, he was content to lie in the sea and watch us land, his eyes just poking above the water, so I scuttled up the jetty to safety. I almost hurtled head-long into Chef Pearce and his partner Andrea, who look after guests during their stay.
“Lime juice?” Chef Pearce offered, handing me a drink and ice-cold towel to wipe my hands and face. Thirst quenched, I was given a tour of the facilities – the lounge over-looking the jetty, the open-air dining room, the bar, the swimming pool, and finally, the guest rooms.
I’d expected to rough it in the wilderness, but this was a five-star idyll, hidden away from the rat-race, and packed with every home comfort. My room was the epitome of colonial chic, with ceiling fan, polished dark wood furniture and floor, turn-down service and a shared bathroom with a killer view over the bay.
Dinner was in one hour so there was just time for a dip in the outdoor pool – swimming was banned in the sea because of Snappy and his tawny shark and box jellyfish friends – before it was time to eat.
Dining alfresco is always fun, and it was amazing to watch the sunset over the azure waters as canapes were served. Being over 200km from civilisation, I’d have been happy with a sandwich. But this was a Michelin-starred-styled feast, with soup, gnocchi and home-made ice-cream to rival anything I’ve eaten in Dubai. Talking under the inky sky, dotted by stars meant it was a late night. With Aboriginal art and whale watching on the agenda for the next day, there was no choice but to get up early.
Our guides John and Ron split us into two groups and we set off in small boats in search of the whales – who’d been spotted with their calves just a couple of days earlier – and to fish, if we wanted, while we took in the raw beauty of the bay.
We passed by Sheep Island where 210 people with 2,500 sheep tried to settle in 1864. Within a year, thanks to the harsh conditions and a less-than-friendly welcome from the Aboriginals, they abandoned the settlement. All that’s left now are a few headstones of the lost community.
The whales and fish were just as scarce, so after a picnic in the boat, we returned to Kuri Bay, and freshened up, ready for another sumptuous dinner under the stars.
I took it easy the next day – our last here – reading my book under the shade, while others went on an energetic hike across the cliffs. I was glad I did as I was the only who didn’t have green ant bites as we sat down for supper. It made for a great story as my fellow guests described hacking through the undergrowth and stepping onto the ants’ nest, with the bites hurting so much, they had to jump into a cold stream.
Up early the next morning to beat the low tide, sitting in the boats waiting for the Mallard to arrive, I was sad to be going back to civilisation. I’d loved unplugging here, but the modern world beckoned, and so I boarded the Mallard for my final – and most scenic – flight.
A ‘frenzied drop’
On the flight to Broome we passed over Montgomery Reef, Australia’s largest inshore reef – 292km to be exact, which reveals trapped fish, sharks, turtles and ray when the tide retreats so quickly – and Horizontal Falls.
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| Flying over Australia's Horizontal Halls in our private plane |
Described by Sir David Attenborough as “one of the greatest natural wonders of the world”, they’re created by the region’s huge tides creating a build-up of water pressure, which then pushes through a tiny gap of 10-20 metres wide, causing a ‘frenzied drop’ of several metres from one side to the other.
Left marvelling in wonder, it was an anti-climax to come back down to earth. Luckily, I still had plenty of pearl encounters to cheer me up – not just a tour of the streets of Broome, where I saw what was billed as the world’s biggest pearl, but a meeting with the Paspaley jewellers.
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| Broome beach - the home of the Paspaley Jewellers' pearl workshop |
Designer Sebastian Kappen took me around the Darwin showroom where I watched pearls being strung (Paspaley restrings customers’ pearls every year at no charge, explained Richard, to keep them looking their best) and saw pearls adorned with diamonds and precious gems to make a woman drool.
Paspaley’s head of design, German-born Jurgen Kammler, created the head-turning Embrace the Sea collier, using 136 rare Keshi pearls and pave set diamonds, after watching his son collect shells from the Darwin seashore where he lives. As creative director Christine Salter said, “A Paspaley masterpiece is something more – a sensual sculptured work of art inspired by nature, with a story behind it that makes it even more meaningful.”
After seeing the vast operation behind the creation of each pearl and the helping hand nature plays in making each one spectacular, I now suspect it’s pearls and not diamonds that are truly a girl’s best friend.
Of course, I’ll never be able to afford the Paspaley Pearl, so a pair of baroque earrings are on my Christmas list instead – but for now, I’ve got an oyster shell from the Paspaley 4. It’s on the side of my bath being used as a soap dish, so every time I take a dip I’ll remember my amazing visit.
You can see the pearls
here - shot in some of the breath-taking places I visited. I was lucky enough to go on a press trip with Paspaley but all the opinions here are my own. Sadly, I didn't get a pearl!
